Monday, September 24, 2012
Sunday, September 23, 2012
Sing 'Star Spangled Banner' your own way, says Geoffrey O'Hara, Noted Composer Has Revised National Anthem."Discovered: The True Way to Sing The Star Spangled Banner.'"
When this headline appeared in a New York paper it may have carried a bit of a jolt to the worthy few who for years had risen with the first strains of the national anthem to sing unfalteringly to the last note. By this same virtue undoubtedly many who had hummed, rejoiced and secretly resolved to learn the words. But what New Yorkers thought may never be known, for as the story unfolded it developed that the true way to sing The Star Spangled Banner was "everybody's way or, the people's way," according to Geoffrey O'Hara, the famous composer and Irish tenor, who ultimately brought the revision we sing today to the American public. O'Hara had long resented the fact that an American audience must sing its own national anthem in someone elses way. He believed that the American public had a very definite idea and a certain unanimity of self expression when allowed to sing the song unguided, and he decided to let the people settle the question.
Phonograph records were made of various audiences singing without direction. Three of these audiences in New York had twenty-five hundred or more in the house. When later these records were compared, O'Hara was able to prove that the people did not sing "The Star Spangled Banner" in the original Francis Scott Key key or in the way of the United States Army and Navy ,or in the version of the American Board of Education, yet universally they sang it exactly the same way, the way of the people.
The following morning, Key showed the poem to his brother-in-law, Judge J. H. Nicholson. Nicholson liked the poem so much, he had it printed under the title, “Defense of Fort McHenry,” and distributed it throughout Baltimore. Nicholson also suggested the words be put to the tune of “To Anacreon in Heaven,” a song which was popular in America at the time and happened to be a British drinking song.
In October 1814, a Baltimore actor sang the song at Captain McCauley’s tavern, though he called it the “Star-Spangled Banner.” It was an immediate success.
Over the years, the Star-Spangled Banner grew in popularity. In 1889, the Secretary of the Navy made it the official song for all flag raisings. Later, in 1916, Woodrow Wilson, our twenty-eighth president, boosted its status further. He proclaimed it the national anthem of all the armed forces. But it was not until the 1918 World Series that the song took hold of America during a game that almost didn’t happen. America had been involved in World War I for a year. Out of respect for the soldiers, baseball officials wanted to cancel the World Series between the Boston Red Sox and the Chicago Cubs. When it became known, however, that American soldiers fighting in France were eager to know the Series’ results, the games commenced. To honor these brave men, the officials had the band play the Star-Spangled Banner during the seventh-inning stretch of the first game. And, the rest is history. Soon it became tradition to play the Star-Spangled Banner at all baseball games and, eventually, nearly all sporting events.
Wednesday, September 12, 2012
Sunday, September 9, 2012
50002-L Nearer My God To Thee - Thomas Chalmers 1912
50065-R Wedding Of The Winds Waltzes - American Symphony Orchestra, 1912
50065-L On The High Alps - Venetian Instrumental Quartet, 1914
50212-R Medley Of American War Songs - Band, 1914
50212-L Medley Of American Patriotic Airs, 1914
50292-R Valse In E Flat - Andre Benoist, 1915
50292-L Old Black Joe w/variations - Andre Benoist, 1915
50348-R On The Hoko Moko Isle - Collins and Harlan, 1916
50348-L Yaka Hula Hickey Dula - Walter Van Brunt, 1916
50351-R Massa's In De Cold, Cold Ground - Fred J. Bacon, 1915
50351-L Old Black Joe - Fred J. Bacon, 1916
50357-R Are You From Dixie - Billy Murray, 1916
50357-L Don't Bite The Hand That Feeds You - Walter Van Brunt, 1916
50428-R Poor Butterfly - Jaudas Society Orchestra, 1917
50428-L The Missouri Waltz - Jaudus Society Orchestra, 1916
50452-R U.S. Army Bugle Calls Part 1 - S.W. Smith, U.S.N. & Bugle Squad, 1917
50452-L U.S. Army Bugle Calls Part 2 - S.W. Smith, U.S.N. & Bugle Squad, 1917
50455-R Ellis March - Ford Hawaiians, 1916
50455-L One, Two, Three, Four Medly - Waikiki Hawaiian Orchestra, 1917
50534-R I'm Forever Blowing Bubbles - Helen Clark and George Wilton Ballard, 1919
50534-L In The Old Sweet Way - Helen Clark and George Wilton Ballard, 1919
50857-R Wonderland of Dreams - Rae Eleanor Ball and Jessie L. Deppen, 1921
50857-L Havana Moon - Rae Eleanor Ball and Jessie L. Deppen, 1921
51026-R Red Moon Waltz - Ernest L. Stevens Trio, 1922
51026-L If I Had My Way Pretty Baby - Ernest L. Stevens Trio, 1922
51145-R Darkey's Dream and Darkey's Awakening - Fred Van Eps, 1922
51145-L Medley of Southern Melodies - Fred Van Eps, 1923
80010-R Ever Of Thee I'm Fondly Dreaming - Elizabeth Spencer and Vernon Archibald
80010-L Darling Nellie Gray - Metropolitan Quartet, 1914
80098-R Annie Laurie/Lady Metropolitan Quartet, 1913
80098-L Call Me Your Darling Again - Elizabeth Spencer, 1916
80160-R I'll Take You Home Again Kathleen - Walter Van Brunt, 1914
80160-L On The Banks Of The Brandywine - Walter Van Brunt, 1914
80172-R America - Mixed Quartet w/orchestra, 1914
80172-L The Star Spangled Banner - Baritone and Chorus w/orchestra, 1914
80204-R Let The Lower Lights Be Burning - Mixed Quartet, 1914
80204-L He Lifted Me - Mixed Quartet w/orchestra, 1914
80276-R When The Roll Is Called Up Yonder - John Young and Frederick J. Wheeler
80276-L Abide With Me - Elizabeth Spencer and Thomas Chalmers, 1915
80300-R I Love To Tell The Story - Metropolitan Quartet
80300-L I Will Sing OF My Redeemer - Metropolitan Quartet
80321-R My Old Kentucky Home - Thomas Chalmers, 1914
80321-L Come Where The Lillies Bloom - Metropolitan Quartet, 1915
80395-R Dixieland Memories No. 1 - Orpheus Male Chorus
80395-L Dixieland Memories No. 2 - Orpheus Male Chorus
80453-R Sundown in Birdland - Sibyl Sanderson and Frederick W. Hager, 1918
80453-L L'Ardita-Magnetic Waltz - Sibyl Sanderson, 1918
80484-R I'll Remember You Love In My Prayers - Betsy Lane Shepherd, 1917
80484-L The Little Old Log Cabin In The Lane - Metropolitan Quartet, 1918
80529-R Is My Name Written There - Charles Hart and Elliott Shaw
80529-L Shall You? Shall I? - Charles Hart, Elliott Shaw and the Calvary Choir
80549-R Only A Step To Jesus - Fred East and Lewis James, 1920
0549-L Beulah Land - Thomas Chalmers w/chorus, 1920
80613-R Recollections of 1861-65 - Edna White, 1920
80613-L Love's Old Sweet Song - Chester Gaylord, 1920
82055-R O Holy Night - Thomas Chalmers, 1914
82055-L The Palms - Thomas Chalmers, 1914
82133-R Battle Hymn Of The Republic - Thomas Chalmers, 1917
82133-L Recessional - Thomas Chalmers, 1916
82159-R I'se Gwine Back To Dixie - Maggie Teyte and the Lyric Male Quartet
82159-L Ma Curly-Headed Babby - Maggie Teyte
82236-R (a) Songs My Mother Taught Me (b) Poem - Vasa Prihoda
82236-L On Wings Of Song - Vasa Prihoda, 1921
83059-R Annie Laurie - Anna Case, 1916
83059-L Old Folks At Home - Anna Case, 1916
Friday, September 7, 2012
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(This photo was made in the 1950's as the Goat Man passed through my town) Charles McCartney was born on July 6, 1901. In 1915, at age ...